Pièces pour piano - I. Phases
from Chants Convergents by Aventa Ensemble
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Phases (1956)
Réseaux (1958)
“The unusual sonorities afforded by the harmonics of the piano led me to discover in it a completely new dimension, fresh and virtually unexplored except as an occasional effect of additional decoration, and not yet linked to the inner substance of the music (Schumann; Schoenberg Op. 11). Discovering, experimenting, listening in wonder to the sound of these extraordinary vibrations, playing with the innumerable relationships they engender, mediating upon lines that dissolve so naturally into silence, contemplating the new affinities of natural sounds with their effects in resonance already implied incorporation all these elements into the language of the piano, ‘composing’ them in the etymological sense of the word; it also meant being able to use non-tempered sounds with a tempered instrument.” – Gilles Tremblay
Réseaux (1958)
“The unusual sonorities afforded by the harmonics of the piano led me to discover in it a completely new dimension, fresh and virtually unexplored except as an occasional effect of additional decoration, and not yet linked to the inner substance of the music (Schumann; Schoenberg Op. 11). Discovering, experimenting, listening in wonder to the sound of these extraordinary vibrations, playing with the innumerable relationships they engender, mediating upon lines that dissolve so naturally into silence, contemplating the new affinities of natural sounds with their effects in resonance already implied incorporation all these elements into the language of the piano, ‘composing’ them in the etymological sense of the word; it also meant being able to use non-tempered sounds with a tempered instrument.” – Gilles Tremblay
credits
from Chants Convergents,
released November 1, 2021
Roger Admiral, piano
Roger Admiral, piano
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Redshift Music Vancouver, British Columbia
Redshift was founded in Vancouver, Canada with a focus on championing the music of contemporary composers.
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Apr 2024 -
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